at woodshop. i worked on this boost mobile endtag.
designers: trevor shepard
3d peeps: hai ho, marcel ziul
compositors:, hai ho, marcel ziul
creative directors:
at prologue films, i worked on this eurocup netwok package
designers: ken kegley, plus more
3d peeps: hai ho, grace lee, bill koak, giancarlo rondani, plus more
compositors: hai ho, bill koak, giancarlo rondani, plus more
at stardust. i worked on this first data bank project.
designers: bill bak and ling feng
3d peeps: hai ho, marcel ziul, joseph andrade, giancarlo rondani, and marcus garcia
compositors:, hai ho, marcel ziul, joseph andrade, giancarlo rondani, and marcus garcia
creative directors: brad tucker
at stardust. i worked on this t-mobile endtag c.
designers:
3d peeps: hai ho,
compositors:, hai ho
creative directors: brad tucker
at stardust. i worked on this t-mobile endtag a.
designers:
3d peeps: hai ho,
compositors:, hai ho
creative directors: brad tucker
at national television. i worked on this new NUROFEN spot.
designers: chris dooley, brian won
3d peeps: john nguyen, hai ho, gene arvan, grace lee, catherine yoo
compositers:, duy nguyen, john nguyen, brumby boylston
3d leads: john nguyen
creative directors: brumby boylston, brian won, and chris dooley
at national television. i worked on this new DOVE spot with some awesome people.
designers: chris dooley,kevin walker, brian won
3d peeps: diffan norman, hai ho, kevin walker, dony permedi
compositers:, hai ho, kevin walker, diffan norman
3d leads: kevin walker
creative directors: brumby boylston, brian won, and chris dooley
at national television. i worked on this new SYFY spot with some awesome people.
designers: chris dooley,kevin walker, brian won
3d peeps: diffan norman, stacie plassche, hai ho, kevin walker, dony permedi
compositers: preston brown, hai ho, kevin walker, diffan norman
3d leads: kevin walker
creative directors: brumby boylston, brian won, and chris dooley
at national television. john and i were the leads on this grammys spot.
designers: chris dooley and brian won
3d peeps: grace lee hai ho, john nguyen,
compositers: preston brown, hai ho, john nguyen
3d leads: kevin walker and hai ho
creative directors: brumby boylston, brian won, and chris dooley
at national television. kevin and i were the leads on this uk cereal spot.
designers: kevin walker, chris dooley, and brian won
3d peeps: kevin walker, diffan norman, stacie plassche, hai ho, john nguyen,
compositers: preston brown, kevin walker, hai ho, diffan norman
3d leads: kevin walker and hai ho
creative directors: brumby boylston, brian won, and chris dooley
at superfad. texturing, lighting, and compositing rabbids as they traveled in time. i worked with some awesome people over at superfad. full credit list on superfad’s website.
at national television. texturing, lighting, and compositing toyota cars for may sales event. i worked with john nguyen, diffan norman, kevin walker, sal salero, and grace lee.
at national television. john and i were the leads on this massive project, and brumby cut the montage. look at the list of talented people i worked with for 8 months!
designers: david chun, ryan zunkley, brian gossett, danny ruiz, and jason yeh
3d peeps: gene arvan, vinh chung, hao cui, kimberly im, andy kim, grace lee, yan ng, sal rangel, diffan norman, christian perez, and catherine yoo
compositers: wonhee lee, john nguyen, and me
storyboard artist: hugh keenan
3d teams leads: john nguyen and me
creative directors: brumby boylston, brian won, and chris dooley
at stardust. i was the lead 3d animator for the 15 sec spot, dan was the compositor. we didn’t have a lot of time to finish off the spot so it got pretty hectic towards the end. sam sparks and kimberly im did the 30 sec spot, with sang compositing. since most of the elements for the 30 sec were already in place, the team for the 15 sec thought it would be a piece of cake. we originally intended to animated once and reuse it for the 15 sec but it didn’t work out. i reanimate the camera; the push in and pull out is totally different. never underestimate a job!
at stardust. drumroll please….blackberry storm is finished! started working on this job around the end of september 2008, moved to another job, and came back to the storm in the middle of march 2009. i was the technical director on set with joseph khan directing. back at the studio, jake was our creative director and tito, joseph, and i animated the first phase with chris eckardt lighting and texturing. we though the spot was going to air before christmas 2008, but was cancelled 2 days before our deadline. phase 2 started in 2009 with joseph and me reanimating and rerendering elements, as most of our original animation ended up on the cutting room floor. chris and dan were brought on to finish off the compositing. i did alot of animating, lighting, and compositing…the model at the end of the spot is the best part. 
at national television. i wasn’t there to finish off the project, but chris, kevin, john, diffan, and jose did a great job; the final product is amazing! kevin, jose, john and i did a lot of r&d on the look of the spot, and i also did modeling, lighting, and texturing. ironically, recreating the look and movement of a classic child’s toy (play-doh) is very challenging in 3d.
at national television. animation was led by jose ortiz as the main animator, with diffan, ash, and i as supporting animators. i worked mostly on the dyson vaccuum section, which was tedious work with all the rendering and optimizing going on. jose and i came up with a more manageable workflow, and i ended up also modeling, rigging, lighting, and texturing in addition to animating and rendering.
